I have a confession to make: I don't have a book review this week. I went to Barnes & Noble, purchased several new books to review, and got very excited about all of them. So excited, in fact, that I began reading more than one of them, and subsequently finished none of them.
It also doesn't help that I've been playing Final Fantasy XIII every day. I can review the first 18 hours of that if you'd like? No? Alright then.
Anyway, in lieu of an actual, original review—I have a whole string of them coming up, I promise—I thought I would post links to the book reviews that I've published in local newspapers. I can't reprint the reviews themselves, but I can link to them, so take a look at some of the stuff I've been working on for non-Genoshan outlets.
Invisible China: A Journey Through Ethnic Borderlands by Colin Legerton and Jacob Rawson—My first published book review! A great little nonfiction piece about a pair of travelers studying linguistics throughout rural China. It's much more interesting than I ever would've imagined.
Smart Kids, Bad Schools: 38 Ways to Save America's Future by Brian Crosby—My most recent published review (though I've since done other articles/theatre reviews). An interesting look at the American educational system by a Los Angeles-area teacher.
Hard Times in the Country: Ramblings of a Hayseed by Timothy L. Wahl—A terrible book, but a fair study on the pitfalls of self-publishing. I actually received negative comments from an "anonymous source" for this one, and the author even went so far as to bash me on his Twitter account. For a week after this review was published, he posted links to my other website, 5x500, to show how "juvenile" I am. It was kinda satisfying, knowing something I wrote had such a profound effect on someone. And it got me more hits for my website.
Drawn to Life by Walt Stanchfield, edited by Don Hahn—This guide to animation is a compilation of long-time Disney animator Walt Stanchfield's teaching notes. It is an incredible asset for those interested in cartooning, animation, or drawing in general.
There have been other articles, mostly theatre and concert reviews, but most of those were time- and location-sensitive. Reading today in Boston or New Jersey about a play that ran in Burbank six months ago isn't very interesting. Anyway, I hope you enjoy those reviews. Be excited for the next few weeks and all the great books I've got lined up for you! Until then, keep reading, Genoshans!
P.S. Don't be shy! If you've been hearing good/bad/contradictory things about a book that's in stores or coming out soon, feel free to let me know and I'll put it on the list! I'll gladly read and review it so you can know once and for all if you should buy it, borrow it, or skip it altogether.
Friday, March 26, 2010
Friday, March 19, 2010
The Secret History (Jean-Pierre Pécau)
It is once again omnibus time! I love reviewing omnibuses (omnibi? omnibeese?) because it gives me a feel for a comic or book series as a whole that I just don't get from reading each piece on its own. The Daily Genoshan has a long history of reviewing omnibuses at this point—remember The Ultimate Hitchhiker's Guide, Scud: The Disposable Assassin, and Bone?—so I'm glad I get to take a crack at a new one COMING OUT NEXT WEEK! I've been interning for a company called Archaia Comics for a few months now, and the hardcover omnibus for a French series they've imported, The Secret History, comes out in comic book stores everywhere next Wednesday, March 24.
Synopsis
The Secret History
by Jean-Pierre Pécau
TSH follows the paths of four immortals as they influence global events throughout history. The secret to their longevity lies within the runes that were bestowed upon them waaaaaaay back in 3,000 B.C.E., when their village's shaman was brutally murdered by a tribe of neanderthals. The four newly appointed magician's each develop their own style and methods, and over the course of millennia attempt to control the outcomes of wars and other significant human events. They help free the Jews from slavery in Egypt, and sway favor back and forth between enemies in the Crusades. They finance revolutions in France and wars in Germany, all as part of a larger scheme to shift power between themselves. Few people know of their existence, but millions are influenced by their decisions.
So basically, it is what it claims to be, a secret history. It can get fairly convoluted at times keeping track of who works for who and which rune is where, but if you like this kind of alternative theory deal, it's a very satisfying read. The 9 issues included in the omnibus showcase several different artists, all of whom have their own styles and whatnot, but the joy of this book comes from the writing. Pécau hits many of the major chapters in the history of western civilization and shows how they all tied in to the runes and their wielders, weaving together seemingly disparate events with ease. There are also cameos by some rather famous faces: Nostradamus; Emperor Frederick II; Michelangelo; Napoleon. It keeps things exciting. Plus, when I say omnibus, I do mean omnibus. This puppy is 336 pages of goodness, so at $34.99, that comes out to about 10¢/page. Bargain. Take a look at it in the store on Wednesday. Archaia has been doing a great job with finding good books from France and translating them for American readers (see The Killer for an especially great example) and The Secret History is no exception. Check it out.
Rating
I'm not gonna give this book a rating because I currently work for the publisher (even if it is unpaid, wah wah). I've read all of their titles, though, and I did genuinely enjoy this one. It's probably not something I would've picked up on my own just because it seems daunting at first, but the omnibusiness helps to pull the whole thing together in ways that single issues simply can't. Also, remember that these are the guys that put out Mouse Guard, and that book kicks ass.
Synopsis
The Secret History
by Jean-Pierre Pécau
TSH follows the paths of four immortals as they influence global events throughout history. The secret to their longevity lies within the runes that were bestowed upon them waaaaaaay back in 3,000 B.C.E., when their village's shaman was brutally murdered by a tribe of neanderthals. The four newly appointed magician's each develop their own style and methods, and over the course of millennia attempt to control the outcomes of wars and other significant human events. They help free the Jews from slavery in Egypt, and sway favor back and forth between enemies in the Crusades. They finance revolutions in France and wars in Germany, all as part of a larger scheme to shift power between themselves. Few people know of their existence, but millions are influenced by their decisions.So basically, it is what it claims to be, a secret history. It can get fairly convoluted at times keeping track of who works for who and which rune is where, but if you like this kind of alternative theory deal, it's a very satisfying read. The 9 issues included in the omnibus showcase several different artists, all of whom have their own styles and whatnot, but the joy of this book comes from the writing. Pécau hits many of the major chapters in the history of western civilization and shows how they all tied in to the runes and their wielders, weaving together seemingly disparate events with ease. There are also cameos by some rather famous faces: Nostradamus; Emperor Frederick II; Michelangelo; Napoleon. It keeps things exciting. Plus, when I say omnibus, I do mean omnibus. This puppy is 336 pages of goodness, so at $34.99, that comes out to about 10¢/page. Bargain. Take a look at it in the store on Wednesday. Archaia has been doing a great job with finding good books from France and translating them for American readers (see The Killer for an especially great example) and The Secret History is no exception. Check it out.
Rating
I'm not gonna give this book a rating because I currently work for the publisher (even if it is unpaid, wah wah). I've read all of their titles, though, and I did genuinely enjoy this one. It's probably not something I would've picked up on my own just because it seems daunting at first, but the omnibusiness helps to pull the whole thing together in ways that single issues simply can't. Also, remember that these are the guys that put out Mouse Guard, and that book kicks ass.
Friday, March 12, 2010
Greek Street (Peter Milligan & Davide Gianfelice)
I rarely just pick up a new comic book or trade paperback blind without knowing anything about the series. I like to at least get a positive review from someone first. I asked the girl behind the counter at my comic book store—yes, girl, it happens—about Greek Street and she said "No, I've never read it, let me know how it is," so I just bought it. It was cheap.
Synopsis
What if Oedipus lived in London and got caught up in a gang war? The end.
Well, I guess there's a little more to it than that, but not much. Peter Milligan takes ancient Greek myths and tragedies and inserts them into the modern-day London underworld. Oedipus is a young kid looking for his mother; Dedalus is a police constable trying to solve a case; the Fureys are a mob family that own a strip club.
Throw in lots and lots and lots of boobies, and you have a pretty good idea of what's going on in the book. Sex, murder, extortion, more sex, more murder, classical themes and plot lines.
Greek Street is a Vertigo book, and Vertigo is usually fairly reliable. That doesn't change here. It's no Fables or 100 Bullets—although it kinda reads as if you meshed those two books together, the art is very Eduardo Risso—but it's a pretty solid read. I don't think it deserves any awards, but I actually did enjoy it. I'm interested to see where the books goes in future volumes, and it was only $9.99, so I'd say it was a sound investment. If you're into this kind of graphic sex and violence—see what I just did there? heh—then you'll probably get a kick out of Greek Street. If you're looking for a high concept, intellectual comic book to stimulate your brain, look elsewhere.
Rating
Greek Street
by Peter Milligan and Davide Gianfelice
Story—7.27
Ooh! Let's put the Greek gods and heroes somewhere other than Greece! That's never been done before! At least Milligan keeps the story interesting, even if the concept isn't all that original.
Style—6.77
Nothing to write home about. Again, if you like this kind of thing, you'll like it, but if you don't, you won't.
General—7.5
There's nothing groundbreaking happening here. It's a solid sex-and-violence comic that I'm sure is going to sell well, but won't be remembered very long.
Overall—7.11
Keep reading, Genoshans!
Synopsis
What if Oedipus lived in London and got caught up in a gang war? The end.
Well, I guess there's a little more to it than that, but not much. Peter Milligan takes ancient Greek myths and tragedies and inserts them into the modern-day London underworld. Oedipus is a young kid looking for his mother; Dedalus is a police constable trying to solve a case; the Fureys are a mob family that own a strip club.
Throw in lots and lots and lots of boobies, and you have a pretty good idea of what's going on in the book. Sex, murder, extortion, more sex, more murder, classical themes and plot lines.Greek Street is a Vertigo book, and Vertigo is usually fairly reliable. That doesn't change here. It's no Fables or 100 Bullets—although it kinda reads as if you meshed those two books together, the art is very Eduardo Risso—but it's a pretty solid read. I don't think it deserves any awards, but I actually did enjoy it. I'm interested to see where the books goes in future volumes, and it was only $9.99, so I'd say it was a sound investment. If you're into this kind of graphic sex and violence—see what I just did there? heh—then you'll probably get a kick out of Greek Street. If you're looking for a high concept, intellectual comic book to stimulate your brain, look elsewhere.
Rating
Greek Street
by Peter Milligan and Davide Gianfelice
Story—7.27
Ooh! Let's put the Greek gods and heroes somewhere other than Greece! That's never been done before! At least Milligan keeps the story interesting, even if the concept isn't all that original.
Style—6.77
Nothing to write home about. Again, if you like this kind of thing, you'll like it, but if you don't, you won't.
General—7.5
There's nothing groundbreaking happening here. It's a solid sex-and-violence comic that I'm sure is going to sell well, but won't be remembered very long.
Overall—7.11
Keep reading, Genoshans!
Friday, March 5, 2010
The Brightest Moon of the Century (Christopher Meeks)
One of my old professors wrote this book, so I read it and wrote a review for a class I'm taking.
Synopsis
Transitions in life can be very difficult, be it as a student in transition from high school to college, an actor making the move from television to film, or, as is the case with Christopher Meeks, a dramatist and short story author publishing his first novel. With two collections and three full-length plays under his belt, the Los Angeles-based Meeks tries to make this jump with his latest book, The Brightest Moon of the Century, a work teeming with vivid characters making their own transitions.
Shifting deftly between locations as disparate as suburban Minnesota, the hills of Los Angeles, and a trailer park in Alabama, The Brightest Moon of the Century tells the story of Edward Meopian as he tries to survive all of the major transitions in his life: first love; college; post-graduate ennui; marriage; and, ultimately, fatherhood. Edward can’t seem to find himself, and goes searching wherever he can afford, determined to prove that he was meant for something more than his humble Midwestern origins.
The book is told in third person via a series of vignette-like chapters, prominently recalling the author’s roots as a short-story writer. Each chapter takes place in its own unique setting, foregoing much of the transitional writing that might normally be required in a book that spans the three decades covered in The Brightest Moon. His prior writing experience continues to shine through as Meeks focuses intently on each individual scene and the humanness of the interactions between his characters, something he undoubtedly picked up from his stage work.
Edward, often unsure of himself, continually finds himself butting up against friends, authority figures, and, occasionally, over-sexed Southern teenagers. Meeks is sometimes sparse on illustrative details, but never fails to adequately describe the many women that come in and out of Edward’s life, a fact that aids in establishing the importance of female acceptance after the death of Edward’s mother in the opening pages. The transition that the Meopian family is forced to undergo following this tragedy is one of the book’s earliest and longest-running themes.
Another theme that Meeks subtly weaves throughout his otherwise bluntly emotional narrative—Edward tends to cry a lot—regards another type of transition, that of the moon between phases. In the early chapters, the moon is usually presented in its crescent or gibbous form, but over the course of the novel moves, along with Edward, to a fuller and more complete state. That’s not to say that The Brightest Moon of the Century is all happy endings and wonderfully uplifting messages. It’s not. Most of the book focuses on the terrible things that Edward can’t control in his life but must learn to accept. It’s with the help of symbols like these, though, that he and the reader are able to move forward together along a path with seemingly no fixed destination.
There are a few dull spots, primarily in the first few chapters, and the voice evokes the idea of a short story narrator much more strongly than is necessary, but, for the most part, The Brightest Moon of the Century is a rather compelling novel. The language is stiff at times, but the confrontations are visceral and Meeks has a way of injecting suspense into everyday circumstances. There are places where he is able to seamlessly transition from an exultant tone to a sense of utter dread in less than a page, and while the read is often better for it, the same can’t always be said for Edward. His many failures and realistic experiences with love ground him in this world, and make him a character that the reader can’t help growing alongside. It may not be the most polished work, but Christopher Meeks’ The Brightest Moon of the Century is a commendable first novel and a successful transition from the world of short stories and playwriting.
Rating
The Brightest Moon of the Century
by Christopher Meeks
Story—6.77
Nothing groundbreaking, but it definitely keeps your interest.
Style—7.1
I like how the book is broken up. It follows Edward for several decades, and succeeds in showing his growth as a person.
General—7.5
This isn't the best-written book I've come across, but I found myself enjoying it nonetheless. It has a touch of sincerity that I thought was charming and that kept me grounded. It makes me interested to check out Meeks' short stories.
Overall—7.12
Keep reading, Genoshans!
Synopsis
Transitions in life can be very difficult, be it as a student in transition from high school to college, an actor making the move from television to film, or, as is the case with Christopher Meeks, a dramatist and short story author publishing his first novel. With two collections and three full-length plays under his belt, the Los Angeles-based Meeks tries to make this jump with his latest book, The Brightest Moon of the Century, a work teeming with vivid characters making their own transitions.
Shifting deftly between locations as disparate as suburban Minnesota, the hills of Los Angeles, and a trailer park in Alabama, The Brightest Moon of the Century tells the story of Edward Meopian as he tries to survive all of the major transitions in his life: first love; college; post-graduate ennui; marriage; and, ultimately, fatherhood. Edward can’t seem to find himself, and goes searching wherever he can afford, determined to prove that he was meant for something more than his humble Midwestern origins.
The book is told in third person via a series of vignette-like chapters, prominently recalling the author’s roots as a short-story writer. Each chapter takes place in its own unique setting, foregoing much of the transitional writing that might normally be required in a book that spans the three decades covered in The Brightest Moon. His prior writing experience continues to shine through as Meeks focuses intently on each individual scene and the humanness of the interactions between his characters, something he undoubtedly picked up from his stage work.Edward, often unsure of himself, continually finds himself butting up against friends, authority figures, and, occasionally, over-sexed Southern teenagers. Meeks is sometimes sparse on illustrative details, but never fails to adequately describe the many women that come in and out of Edward’s life, a fact that aids in establishing the importance of female acceptance after the death of Edward’s mother in the opening pages. The transition that the Meopian family is forced to undergo following this tragedy is one of the book’s earliest and longest-running themes.
Another theme that Meeks subtly weaves throughout his otherwise bluntly emotional narrative—Edward tends to cry a lot—regards another type of transition, that of the moon between phases. In the early chapters, the moon is usually presented in its crescent or gibbous form, but over the course of the novel moves, along with Edward, to a fuller and more complete state. That’s not to say that The Brightest Moon of the Century is all happy endings and wonderfully uplifting messages. It’s not. Most of the book focuses on the terrible things that Edward can’t control in his life but must learn to accept. It’s with the help of symbols like these, though, that he and the reader are able to move forward together along a path with seemingly no fixed destination.
There are a few dull spots, primarily in the first few chapters, and the voice evokes the idea of a short story narrator much more strongly than is necessary, but, for the most part, The Brightest Moon of the Century is a rather compelling novel. The language is stiff at times, but the confrontations are visceral and Meeks has a way of injecting suspense into everyday circumstances. There are places where he is able to seamlessly transition from an exultant tone to a sense of utter dread in less than a page, and while the read is often better for it, the same can’t always be said for Edward. His many failures and realistic experiences with love ground him in this world, and make him a character that the reader can’t help growing alongside. It may not be the most polished work, but Christopher Meeks’ The Brightest Moon of the Century is a commendable first novel and a successful transition from the world of short stories and playwriting.
Rating
The Brightest Moon of the Century
by Christopher Meeks
Story—6.77
Nothing groundbreaking, but it definitely keeps your interest.
Style—7.1
I like how the book is broken up. It follows Edward for several decades, and succeeds in showing his growth as a person.
General—7.5
This isn't the best-written book I've come across, but I found myself enjoying it nonetheless. It has a touch of sincerity that I thought was charming and that kept me grounded. It makes me interested to check out Meeks' short stories.
Overall—7.12
Keep reading, Genoshans!
Friday, February 26, 2010
Gunnerkrigg Court (Tom Siddell) & Dr. McNinja (Christopher Hastings)
I felt bad for missing last week, so I decided to make up for it by giving you TWO reviews today! Happy Birthday to you. I know you can hardly contain your excitement, but please do try.
Synopsis
As I'm sure most of you are aware at this point, in addition to book reviews I also write/enjoy poetry and comic books. Over the course of the last year or so, the Daily Genoshan has included a handful of poetic and comic reviews to satisfy this part of my brain. However, it hadn't until now occurred to me that, since this is an online book review, I should include online media in my realm of possibly reviewed items. From now on I'm going to make a conscious effort to include online books/comics whenever I come across anything that I think is worth mentioning. And it just so happens that I have something worth mentioning right now! Would you look at that, what're the odds?
First up, we've got Tom Siddell, a writer/artist from the UK, whose webcomic Gunnerkrigg Court, has been getting a ton of praise lately. YALSA (the Young Adult Library Services Association) just named it one of their 2010 Great Graphic Novels for Teens, and I was lucky enough to stumble upon the first hardcover volume recently, so I thought I'd take a look.
Wow. I didn't realize it was a web comic until after I finished that first volume, but I was sooooooo pumped when I found out. I immediately went online to catch up with the series (Siddell posts new pages every Monday, Wednesday and Friday). I continue to be impressed.
Gunnerkrigg Court follows young Antimony Carver as she tries to cope with the death of her mother and disappearance of her father. She moves to a new school—but can you really call it a school? It's more like a massive scientific complex—and quickly becomes best friends with Kat, whose parents teach at the school... and used to know Antimony's mother and father! It kinda has this Harry Potter feel to it, but it's also got science and robots and isn't as plot-driven. What really makes Gunnerkrigg Court work, though, is that Siddell is incredibly patient, and doesn't show his hand early. Most of the issues revolve around Antimony going through her everyday life in this extraordinary place, only gradually learning more about its mysterious past. This allows him to be funny and down to earth while patiently releasing information on the larger story that's now beginning to show itself (the webcomic is on chapter 25 now, but readers can start from the first page by clicking here. It might have a stronger draw for younger audiences, but I'm in my twenties and I still check back every Monday, Wednesday, and Friday for new pages. It's a fantastic book.
I've only been reading Gunnerkrigg Court about a month or so, but this next webcomic I've been addicted to for over a year and a half now. I got hooked at San Diego Comic-Con 2008 when a friend of mine asked me to pick him up a t-shirt and a signed poster.
Just like Siddell, every Monday, Wednesday, and Friday Christopher Hastings updates The Adventures of Dr. McNinja by posting a new page. Thank God, too, because at this point I don't know what I would do if he decided to stop. He's a hilarious writer, and the art has been getting continually better since the very first arc.
A little backstory: Dr. McNinja is a doctor, and a ninja; his receptionist is a gorilla named Judy; he has a twelve-year-old sidekick named Gordito (and Gordito has a bad ass mustache and rides a velociraptor, btw); sometimes the good doctor cures children afflicted with Paul Bunyan's disease, sometimes he chases King Radical on an evil unicorn posing as a motorcycle, and sometimes he punches Dracula in the face. EVERY PAGE IS EPIC! I really can't even tell you how great Dr. McNinja is, you kinda have to experience it for yourself. I know that's a cop out for someone who writes book reviews, but it's just too amazing for words. I'll work on inventing the words that can ably describe the incredibleness while you start reading.
Rating
Gunnerkrigg Court
by Tom Siddell
The Adventures of Dr. McNinja
by Christopher Hastings
No ratings. Both of these webcomics are ongoing, and while I assume they will continue their awesomeness into the far future, maybe they'll start sucking the day before I'm about to become unimaginably famous for writing such precisely correct numerical ratings with my reviews. Probably not, though. Just read and report back anyway. Keep reading, Genoshans!
Synopsis
As I'm sure most of you are aware at this point, in addition to book reviews I also write/enjoy poetry and comic books. Over the course of the last year or so, the Daily Genoshan has included a handful of poetic and comic reviews to satisfy this part of my brain. However, it hadn't until now occurred to me that, since this is an online book review, I should include online media in my realm of possibly reviewed items. From now on I'm going to make a conscious effort to include online books/comics whenever I come across anything that I think is worth mentioning. And it just so happens that I have something worth mentioning right now! Would you look at that, what're the odds?
First up, we've got Tom Siddell, a writer/artist from the UK, whose webcomic Gunnerkrigg Court, has been getting a ton of praise lately. YALSA (the Young Adult Library Services Association) just named it one of their 2010 Great Graphic Novels for Teens, and I was lucky enough to stumble upon the first hardcover volume recently, so I thought I'd take a look.
Wow. I didn't realize it was a web comic until after I finished that first volume, but I was sooooooo pumped when I found out. I immediately went online to catch up with the series (Siddell posts new pages every Monday, Wednesday and Friday). I continue to be impressed.Gunnerkrigg Court follows young Antimony Carver as she tries to cope with the death of her mother and disappearance of her father. She moves to a new school—but can you really call it a school? It's more like a massive scientific complex—and quickly becomes best friends with Kat, whose parents teach at the school... and used to know Antimony's mother and father! It kinda has this Harry Potter feel to it, but it's also got science and robots and isn't as plot-driven. What really makes Gunnerkrigg Court work, though, is that Siddell is incredibly patient, and doesn't show his hand early. Most of the issues revolve around Antimony going through her everyday life in this extraordinary place, only gradually learning more about its mysterious past. This allows him to be funny and down to earth while patiently releasing information on the larger story that's now beginning to show itself (the webcomic is on chapter 25 now, but readers can start from the first page by clicking here. It might have a stronger draw for younger audiences, but I'm in my twenties and I still check back every Monday, Wednesday, and Friday for new pages. It's a fantastic book.
I've only been reading Gunnerkrigg Court about a month or so, but this next webcomic I've been addicted to for over a year and a half now. I got hooked at San Diego Comic-Con 2008 when a friend of mine asked me to pick him up a t-shirt and a signed poster.
Just like Siddell, every Monday, Wednesday, and Friday Christopher Hastings updates The Adventures of Dr. McNinja by posting a new page. Thank God, too, because at this point I don't know what I would do if he decided to stop. He's a hilarious writer, and the art has been getting continually better since the very first arc.A little backstory: Dr. McNinja is a doctor, and a ninja; his receptionist is a gorilla named Judy; he has a twelve-year-old sidekick named Gordito (and Gordito has a bad ass mustache and rides a velociraptor, btw); sometimes the good doctor cures children afflicted with Paul Bunyan's disease, sometimes he chases King Radical on an evil unicorn posing as a motorcycle, and sometimes he punches Dracula in the face. EVERY PAGE IS EPIC! I really can't even tell you how great Dr. McNinja is, you kinda have to experience it for yourself. I know that's a cop out for someone who writes book reviews, but it's just too amazing for words. I'll work on inventing the words that can ably describe the incredibleness while you start reading.
Rating
Gunnerkrigg Court
by Tom Siddell
The Adventures of Dr. McNinja
by Christopher Hastings
No ratings. Both of these webcomics are ongoing, and while I assume they will continue their awesomeness into the far future, maybe they'll start sucking the day before I'm about to become unimaginably famous for writing such precisely correct numerical ratings with my reviews. Probably not, though. Just read and report back anyway. Keep reading, Genoshans!
Friday, February 12, 2010
Stories of God (Rainer Maria Rilke)
LOVES this guy's poetry, and I found this book on the cheap a couple weeks back.
Synopsis
In 1899, Bohemian poet Rainer Maria Rilke—then only twenty-two years old—visited Russia with his close friend Lou Andrea-Salomé, the famous author and psychoanalyst. There he met with great Russian writers like Leo Tolstoy, simple farmers and peasants, and a vast, beautiful landscape. The trip had such a profound effect on Rilke that, upon returning to his home in Munich, he immediately composed Stories of God, a collection of interwoven tales focusing on the role of God and nature in man's life, and published it the following year. Although the collection is now more than a century old, the easy, conversational tone in which it was written allows the book to be read as if the author were living today. Rilke's poetic style is known to be both haunting and lyrical, and this work shows that his prose isn't any different. Stories of God seems to me at least on par with his more famous Letters to a Young Poet, which wasn't published until after Rilke's death. Similarly, the dozen or so stories in this collection foreshadow a depth of vision and insight that the poet would fully develop decades later in his Duino Elegies and Sonnets to Orpheus. Rilke's understanding of the nature of spirituality within mankind is unrivaled, and each scene provides further evidence of this mastery.
What really struck me about the book, though—aside from the beautiful lyricism and seamless interweaving of each story—lies in the implications of the title: Stories of God. Not Stories of Christianity or Stories of Religion or even Stories of Faith, but Stories of GOD. Rilke takes the idea of a divine presence and strips it of everything that can be traced back to any one faction or creed. The God of this book is a personal one, whom the narrator knows intimately but has never met. The simple setting and straightforward telling of each tale—usually by the narrator to a friend or passing acquaintance—allow the scope of the collection as a whole to broaden significantly. That isn't to say that the impact of these stories are in any way diluted, however. Stories of God is in fact a hub that is accessible through almost any avenue of spirituality. Take for example this conversation between the narrator and a gravedigger that takes place in "A Tale of Death with a Strange Postscript:"
From here, the narrator goes on to tell the gravedigger a "fairy tale" about God trying to inch heaven closer to earth. Many of the exchanges in Stories of God follow this same pattern of discussion: the narrator asks a friend or neighbor a seemingly benign question; the friend or neighbor replies in a way which surprises the narrator; the narrator is then reminded of a story that is in some way about God. The narrator also often requests that the listener retell the tale to any children he or she may know, which is fitting, since most of these stories read more like fables, anyway. It's that feeling of ancient wisdom that usually accompanies the writings of someone like Aesop or Confucius that makes Rilke's collection truly come alive. "The Tale of God's Hands," for example, which begins the book, concludes with the moral that "without God there is no completion," as His hands discover when they try to create things on their own. Rilke helps us to understand the importance of this "completion," but is able to avoid much of the cynicism and trepidation that accompanies more direct discussions of faith or religion. The book may have been written very early in Rilke's own life, but Stories of God is a collection that is sure to have a profound effect on readers of all ages.
Rating
Stories of God
by Rainer Maria Rilke
Story—8.17
Rilke uses simple characters that appear in most cultures to great effect, breaking down the collection into a series of connected vignettes that easily could have taken place in almost any part of the world.
Style—8.67
The voice of this collection is consistent and accessible, but alarmingly profound. Nothing is preached or overstated, and the stories never feel contrived. I would believe it if someone told me that these are actual fables and folk tales passed down from generation to generation in Germany.
General—8.33
Stories of God is highly enjoyable, and very easy to get into/through, but doesn't have too much drive. It's easy to pick the book up, take what you want from the first few stories, and then walk away. Each individual story wraps up rather nicely, so it isn't very hard to put it down anytime.
Overall—8.39
Rilke is a great writer, I hope you guys pick him up whenever you can. Keep reading, Genoshans!
Synopsis
In 1899, Bohemian poet Rainer Maria Rilke—then only twenty-two years old—visited Russia with his close friend Lou Andrea-Salomé, the famous author and psychoanalyst. There he met with great Russian writers like Leo Tolstoy, simple farmers and peasants, and a vast, beautiful landscape. The trip had such a profound effect on Rilke that, upon returning to his home in Munich, he immediately composed Stories of God, a collection of interwoven tales focusing on the role of God and nature in man's life, and published it the following year. Although the collection is now more than a century old, the easy, conversational tone in which it was written allows the book to be read as if the author were living today. Rilke's poetic style is known to be both haunting and lyrical, and this work shows that his prose isn't any different. Stories of God seems to me at least on par with his more famous Letters to a Young Poet, which wasn't published until after Rilke's death. Similarly, the dozen or so stories in this collection foreshadow a depth of vision and insight that the poet would fully develop decades later in his Duino Elegies and Sonnets to Orpheus. Rilke's understanding of the nature of spirituality within mankind is unrivaled, and each scene provides further evidence of this mastery.
What really struck me about the book, though—aside from the beautiful lyricism and seamless interweaving of each story—lies in the implications of the title: Stories of God. Not Stories of Christianity or Stories of Religion or even Stories of Faith, but Stories of GOD. Rilke takes the idea of a divine presence and strips it of everything that can be traced back to any one faction or creed. The God of this book is a personal one, whom the narrator knows intimately but has never met. The simple setting and straightforward telling of each tale—usually by the narrator to a friend or passing acquaintance—allow the scope of the collection as a whole to broaden significantly. That isn't to say that the impact of these stories are in any way diluted, however. Stories of God is in fact a hub that is accessible through almost any avenue of spirituality. Take for example this conversation between the narrator and a gravedigger that takes place in "A Tale of Death with a Strange Postscript:"
Suddenly, seized by a powerful revulsion, I said, "Why are you doing that?"
The gravedigger continued to smile. "It is a living," he said, "and then, too, most people do the same as I do, don't you agree? They bury God up there the way I do people here." He pointed up at the sky and explained to me, "That's a big grave too. In the summer wild forget-me-nots grow on it—"
"There was a time," I interrupted him, "when people buried God in heaven, that's true."
"Has that changed?" he asked with a strange sadness.
"At one time," I continued, "everyone did throw a handful of heaven over Him, I know that. But at that point He actually wasn't there anymore, or maybe He was..." I hesitated.
"You know," I started up again, "in olden times, people used to pray like this." I spread my arms out and felt my chest involuntarily expand.
From here, the narrator goes on to tell the gravedigger a "fairy tale" about God trying to inch heaven closer to earth. Many of the exchanges in Stories of God follow this same pattern of discussion: the narrator asks a friend or neighbor a seemingly benign question; the friend or neighbor replies in a way which surprises the narrator; the narrator is then reminded of a story that is in some way about God. The narrator also often requests that the listener retell the tale to any children he or she may know, which is fitting, since most of these stories read more like fables, anyway. It's that feeling of ancient wisdom that usually accompanies the writings of someone like Aesop or Confucius that makes Rilke's collection truly come alive. "The Tale of God's Hands," for example, which begins the book, concludes with the moral that "without God there is no completion," as His hands discover when they try to create things on their own. Rilke helps us to understand the importance of this "completion," but is able to avoid much of the cynicism and trepidation that accompanies more direct discussions of faith or religion. The book may have been written very early in Rilke's own life, but Stories of God is a collection that is sure to have a profound effect on readers of all ages.
Rating
Stories of God
by Rainer Maria Rilke
Story—8.17
Rilke uses simple characters that appear in most cultures to great effect, breaking down the collection into a series of connected vignettes that easily could have taken place in almost any part of the world.
Style—8.67
The voice of this collection is consistent and accessible, but alarmingly profound. Nothing is preached or overstated, and the stories never feel contrived. I would believe it if someone told me that these are actual fables and folk tales passed down from generation to generation in Germany.
General—8.33
Stories of God is highly enjoyable, and very easy to get into/through, but doesn't have too much drive. It's easy to pick the book up, take what you want from the first few stories, and then walk away. Each individual story wraps up rather nicely, so it isn't very hard to put it down anytime.
Overall—8.39
Rilke is a great writer, I hope you guys pick him up whenever you can. Keep reading, Genoshans!
Friday, February 5, 2010
Outliers (Malcolm Gladwell)
Malcolm Gladwell wrote Blink (which I read years ago and really enjoyed) and The Tipping Point, both of which are #1 bestsellers. They're these quirky nonfiction books that talk about strange phenomena that occur within societies and why they might not be so strange after all. Gladwell is a great writer—he's on staff at The New Yorker—and I've heard good things about his latest book, Outliers: The Story of Success, so I gave it a shot.
Synopsis
It is often the trend to look at successful people and chart their meteoric rise to fame in terms of their will and intelligence. If a person is smart enough and wants something badly, then nothing can stop them from succeeding, right? In Outliers, Malcolm Gladwell argues that there are many more factors involved in a person's level of success than just perseverance and a high IQ. Cultural background, economic situation, and even location play just as large a role in whether or not someone is going to make it big. Gladwell cites examples from all over the world to back up his idea that success has as much to do with luck and historical trends as it does any individual gifts.
The book starts randomly in a small town in Italy called Roseto. Gladwell tells a story about poor workers from the town who emigrated to the United States and founded their own Roseto among the rocky hillsides of Pennsylvania. This new Roseto was unique, however. For some reason, the people of Roseto, PA, were living longer than their neighbors, and dying basically of old age. There were virtually no cases of heart attack or any cardiac diseases, which, in the 1950s when this curious fact was discovered, were the number one cause of death for males. The people of Roseto weren't just seemingly immune to heart disease, though. Records showed that they suffered less from any disease when compared to national averages. Researchers came in to discover the source of the Rosetans good health, and ultimately determined that it had nothing to do with diet, exercise, or genetics, but with the general low-stress environment that the people of Roseto had established for themselves. They weren't getting sick because they were happy.
To Gladwell, the people of Roseto are the textbook definition of an outlier, "something that is situated away from or classed differently from a main or related body, or a statistical observation that is markedly different from the others of the sample." He goes on in the book to point out other outliers, men like Bill Gates and John D. Rockefeller with rags to riches success stories, who actually owe much of their rise to luck, history, and location. The same can be said for hockey players in Canada, the vast majority of whom are born early in the year. Gladwell explains that, the earlier in the year a child is born, the older–and most likely larger and more physically developed—the child will be when compared to other children on their youth hockey team. The possession of this "natural advantage" tends to single those older children out for promotion to better youth leagues. This self-fulfilling prophecy of giving better training to "more advanced" players who then progress even more and so get even better training continues up into the NHL, where there are many more players born in the months of January through March than October through December. Had the cutoff for the youth hockey league been in July rather than January, a different group of children would have had the advantage of being the oldest and most developed in their year. Gladwell uses this example as a basic way to show how talent and perseverance tend to be pushed out by luck and cultural factors beyond an individual's control, basically creating outliers from scratch.
Now, this isn't to say that hard work and intelligence count for nothing. Gladwell makes it very clear that, unless an individual has the requisite amount of experience to take advantage of the opportunities that he or she is presented with, it won't matter how perfectly the deck is stacked in that person's favor. A child born January 1st—the "best" day to be born if you want to be a hockey player in Canada—still needs to log plenty of hours practicing on the ice. Gladwell and others have noted that there is actually a magic number that relates to success in any field, not just hockey or business: 10,000. Much of Outliers is dedicated to the support of the "10,000-hour rule," which states that it takes at least 10,000 hours of practice or experience in any field before a person can truly be called an expert. By the time most young athletes turn pro, they've logged easily 10,000 hours playing or practicing their sport. Bill Gates was lucky enough to have had access to computers from a very early age, and by the time he reached his twenties and had 10,000 hours of experience under his belt, he was ready to start working in the computer industry developing his own software.
Gladwell covers a lot of territory in Outliers, and charts many different people's paths to success. The strength of the book doesn't come from his facts or ideas, though. Gladwell has a very personal, conversational style, which makes it feel like he might be sitting there in the room, explaining things directly. He never claims to be successful or gifted himself, and in fact humbles himself by not knowing the answers to several of his own questions during a chapter on people with high IQs. The book contains a vast range of examples to support his arguments—from rice farmers in China to lawyers in New York to airline pilots in South Korea—and has a little something for everyone. Gladwell is persistent, but not annoying, intelligent without being snobby. I was expecting Outliers to be more like Blink, which blew my mind and made me see the whole world differently, but I was pleased in the end that it wasn't. Gladwell writes a strong book in a clear voice, and the end result is that I was thinking about how these factors apply to my life and my methods of achieving success.
Rating
Outliers: The Story of Success
by Malcolm Gladwell
Story—N/A
I won't give Gladwell a rating on story, since it is a nonfiction/research book, but I will say that his storytelling ability is very well-developed. He's very good at delivering anecdotes and conveying clear messages.
Style—8.5
This is exactly how research should be presented, in a conversational tone that easily gets across what the author is trying to say. There are no feverish arguments or lofty proposals, just an intelligent discussion based on factual evidence.
General—7.9
Great concept, easy to follow, quick to get through. My only problem is that I would have liked to have seen even more individual examples. There were plenty of societal and cultural examples that were interesting to see, but I wanted more people like Bill Gates, or even some artists or writers. Gladwell focuses primarily on the business world, and I'd love to find out if there is any correlation between these ideas and the creative/artistic world as well.
Overall—8.2
This is a great book for anyone who wants to do anything at all with their life. I really enjoyed it and hope I'll have the chance to take advantage of my own unique opportunities, similar to those Gladwell writes so well about. I highly recommend Outliers, even if you read it just as a personal reference point for where you are, where you'd like to be, and what you need to do to get yourself there. Keep reading, Genoshans!
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