WHY BUY? Hybrid Bastards! (Tom Pinchuk & Kate Glasheen)

Why Buy Hybrid Bastards!?
by author Tom Pinchuk

Because it’s the weirdest comic in the whole wide world!

That may sound like a bold claim, but I’ve made it to countless readers over the years that I’ve promoted the book, and not one has called me out on it yet. Not a single one. Brian asked me to kick off the “Why Buy?” feature on Daily Genoshan, and I’ve found that that’s the best answer - - that’s the most succinct way to describe my comic.

After you read this official synopsis, I think you’ll be inclined to agree…

Hybrid Bastards! is about creatures born in a practical joke of mythic proportions. One night, the Greek god Zeus gets duped into being ferociously attracted to inanimate objects. For one mindless night, he sows his seed into cars, walls, laundry, and basically everything else you can think of. Because he's a god, these things get pregnant and they give birth. When the unholy offspring come of age, they want what all children want - - their Daddy's love. But he's disgusted by them, he wants 'em swept under the rug like so much dust, and there lies the battle of wills, the fractured family drama.

And as crazy as that sounds, that's only the beginning. The madness escalates from page to page, from panel to panel. Reading this comic is going to blow your mind so bad, your brains will be all over the ceiling. It’ll give you a charge that starts in your tail bone and shoots all the way up your spine until it ignites your hair into a furious blaze. It'll force you to divide your life into two eras: before reading it.... and after.

But you’re not big on hyperbole. You want hard facts.

How about some specs? Archaia, the publisher, has put together another gorgeous hardcover here (as has become their signature) that’ll make you look that much cooler for having one on your coffee table or on your bookshelf. Buy this on Amazon for a discount and you’ll get 77 pages of gloriously painted art, a totally-insane back-up short, criminally-cracked concept designs, and probably the most diverse selection of guest pin-ups ever assembled. And you’re going to get a full story. This isn’t the first of a planned series. We may come back and revisit these characters someday, but we made this with the attitude that there is no tomorrow. We didn’t save anything, we didn’t hold back on anything. We put everything on the table and packed everything we wanted to do into this comic. And I think anybody irked by leisurely decompression in comics will appreciate that.

But you want the really serious answer.

The serious answer is that comics can be too serious for their own good a lot of the time. Make no mistake - - I love Max, I love Vertigo, I love intense comics that you don’t want your Mom to see, I love comics that make incisive points about reality, politics, and philosophy. But I also love comics that flippantly throw the rules out the window because what they want do is simply more fun, and I sadly don’t see enough of those comics. I’m talking about Grant Morrison’s Doom Patrol run, Scud the Disposable Assassin, and Little Nemo in Slumberland. I’m talking about Silly Symphonies and Merry Melodies from the golden age of cartoons; back before Bugs, Mickey, Felix the Cat, Betty Boop and their pals had to start acting respectably. I’m talking about comics and toons that invited you into a living, breathing world of phantasmagoria where dream logic is king.

That’s my intention with Hybrid Bastards!, and that’s what that talented lunatic, Kate Glasheen, has helped me create. This book isn’t all snarky one-liners about Greek mythology and involved jokes about laundry creatures keying cars… even though it has plenty of that. Hybrid Bastards! is about giving you a comic that's genuinely unpredictable, that's so unique it defies categorization, that doesn't fit into any box, that gloriously smashes the high-brow and the low-brow together, that escalates in insanity all the way from panel one to the titanic twisted final splash page.

And that, sirs and madams, is why you should buy Hybrid Bastards!

New Feature!

I am extremely excited to announce a new feature that will appear on the Daily Genoshan occasionally starting next week! It's called "Why Buy?" and will be somewhat different than regular reviews. Instead of reviewing a book myself, or even interviewing an author to see what he or she thinks, "Why Buy?" will be written by the authors themselves! It will give creators a chance to really let the world know what they think is special about their work in particular. Why do they love their book? Why do they think you'll love it? WHY should you BUY it?

As I said, this new feature will premiere NEXT FRIDAY! So make sure you tune in, folks!

New York Comic Con

Sorry folks, but no review this week, as I'll be at New York Comic Con!

In the meantime, enjoy a webcomic!

Questionable Content

Old Man Logan (Mark Millar/Steve McNiven)

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Synopsis

The title, Old Man Logan, is pretty self-explanatory if you're a Marvel Comics fan. It's about Logan when he gets old. That should be pretty self-explanatory for everyone, actually. Mark Millar decided to write a Wolverine story set fifty years after all the supervillains teamed up and basically took over the world. 99% of all the superheroes are dead. Logan (Wolverine) is still around, but he lives on a farm in California, working hard to make rent payments to his landlord the Hulk, whose family of green rednecks (brownnecks?) has been threatening to eat Logan's wife and two kids. He hasn't popped his claws once since the day the heroes died, so when an aging Clint Barton (Hawkeye) comes looking to hire him as extra muscle on a cross-country smuggling trip, Logan has some thinking to do. He clearly needs the money, but has no desire to get into any of the mischief he knows the trip will bring his way. His need to support his family ultimately wins out, and the pair head for the East Coast in a rusty Spider-Mobile.

Let me just say that there have obviously been many pseudo-post-apocalyptic Marvel stories throughout the years, but this is far and away one of the best. The general consensus was that it was difficult to follow on an issue-by-issue basis as it was released, but this week Marvel put out the trade paperback, so you can now purchase all nine issues together—plus pinups and such—for the low, low price of $29.99. It is incredibly easy to follow, fun, compelling, action-packed—a little bloody, though, so don't buy it for your 7-year-old—,overall a fantastic read.

Here's a short list of what to expect: Hulk babies; 50-story skeletons; mild superhero cosplay; Ultron as a loving husband and father figure; cannibalistic moloids; Venom T-Rex. In case you missed that last one, allow me to repeat myself: VENOM T-REX. Well played, Millar. Steve McNiven does an excellent job of making a clearly unrealistic world look frighteningly real. Old Man Logan looks, well, old. The rednecks look gross and hillbillyesque, the dinosaurs look very dinosaury. It's a very attractive book, I must say. This isn't my new favorite comic book story, not by a long shot, but it was very enjoyable. I mostly would've liked to see the world a little more. There were maps and references and all kinds of fun little goodies that alluded to the great war against the superheroes, but there wasn't enough actual content to satisfy me. You find out what turned Wolverine into a pacifist, but you don't get to see what the stories of very many other heroes. Millar, McNiven, if you do a sequel, I'd really like to know what happened to Squirrel Girl.

Rating

Old Man Logan
by Mark Millar and Steve McNiven

Story—7.17
The plot is strong, but the characterization is really only there for Wolverine. There's also that huge gap in the backstory that, while it isn't the story Millar was trying to tell, is hard to ignore.

Style—7.6
For there being so many of this dystopian future kind of thing just in Marvel alone (Earth X, Future Imperfect, Days of Future Past), I'm impressed that Millar was able to keep it interesting. I really do hope he writes a sequel someday.

General—8
It's a great story, well-told, with a lot of fun moments. It's not groundbreaking stuff, but you will definitely have a good time with this book. Highly recommended for sheer enjoyment factor.

Overall—7.59



Keep reading, Genoshans!

Disneystrology (Lisa Finander) and Year in Review

If you're a long-time fan of the site, you might remember last year's Year in Review post. Written shortly after my 24th birthday, it recounted my writing year and laid out some of my goals. I'm pleased to announce that many of these goals have been met, and several others surpassed, but I'm getting ahead of myself.

Synopsis

One of the books that I recently picked up from Quirk is a fun little coffee table thing called Disneystrology: What Your Birthday Character Says About You, by Lisa Finander. As yesterday was my 25th birthday, I thought it would be fun to share what the book says about the day, September 2. My Disney character is Hop Low, the smallest mushroom in the Nutcracker Suite's Chinese Dance, from Fantasia. Now, I don't particularly like being called a tiny mushroom, but I do love Fantasia, so I guess it has some credibility. Here's what the book has to say about the little guy:

Hop Low: Your showmanship emerges at a young age. Before your talents are fully developed, your achievements already captivate others. You seek out older and accomplished mentors to help develop your skills. Focused, you work dilligently at becoming proficient in your trade, knowing exactly where you need to improve and what you must master to succeed. Others respect your efforts and surround you with positive reinforcement.
Magical Gifts: Hop Low bestows the gifts of patience, aptitude, and physical agility. With his help, you can reach your goals and take your place at center stage.
Keys to Your Success: Finding your own rhythm.
Hop Low's Story: Fantasia (1940)

So that's not too bad. Even if you don't find your Disney character accurate to your personality, it's still a fun book to check out, just to see what characters you and your friends are alleged to be. Just so you can get a better idea of what to expect in the book, here's a random sample of dates and their associated characters. Completely random. No significance whatsoever...

January 23: Mama Odie, from The Princess and the Frog
May 18: George and Mary Darling, from Peter Pan
May 26: Grand Councilwoman, from Lilo & Stitch
June 11: Mr. Soil, from A Bug's Life
July 18: Dallben, from The Black Cauldron
July 25: Luigi, from Cars
August 30: Eli "Big Daddy" Labouff, from The Princess and the Frog
September 4: Bernard, from The Rescuers

In case you're wondering about some of the big guns in the Disney Universe, Princess Ariel is October 8, Aladdin is August 7, and Mickey and Minnie Mouse are November 18. If you'd like to find out what your Disneystrology character is, write down your birthday in the comments section, or better yet, go out and pick up the book! It's not expensive, and it's a fun book to have around.

***EDIT***I will no longer be taking requests to inform people of what their birthday character is. I apologize, but the number of requests has been staggering, and a) I would love for you all to go out and buy the book, and b) I just don't have the time to get to them all. I will finish up those that I have now, but unfortunately that will be all.***EDIT***

So anyway, birthday characters aside, it has actually been an exceptionally good year. If you recall, my goals from last year, as ever, were the following:

1) Continue to perfect my craft.
2) Develop more disciplined writing habits.
3) Meet more people who were interested/working in the industries I was hoping to break into (comic books and poetry, mostly, but writing is writing).

I am proud to say that I've successfully continued on with all three of those. Achieving #1 comes from writing, reading and learning as much as possible. #2 comes from sitting down and actually producing work, which I'm excited to say has been the case this year. The past three months alone I've written close to 70 new poems, which couldn't have happened if I hadn't just sat down and started writing. #3 isn't always easy to control, but I've been very lucky in that regard the last 12 months.

Last Fall I was going into my final year of USC's Master of Professional Writing program. Through the implementation of summer courses, extra credits for teaching, and other small things here and there, I ended up primarily working on my thesis those last two semesters. While it might have been fun to have more classes with my fellow writers, this meant that I had more time to write, which is always a plus. Also, as Poetry Editor for the Southern California Review, I was still seeing plenty of my fellow students. With the help of my thesis advisor, the extremely talented Amy Gerstler, I wound up finishing my thesis collection of poetry a full semester early. This meant two things: one, I was able to shop out my thesis to publishers during the Spring instead of after graduation, which we'll get back to in a bit; and two, I was free to pick up an internship. I was lucky enough to find my way into an internship with Archaia Comics, a relatively small comic book publisher based right here in Los Angeles. The time I spent there was absolutely invaluable, and I'm much more informed about the workings of that industry now than I could have ever hoped to become on my own. The real news, however, came the morning of May 13, the day before graduation, when Quirk editor Jason Rekulak, well-known as the brains behind Pride & Prejudice & Zombies, gave me a call to say that Quirk would love to publish my thesis! It was the best graduation gift possible. I headed into the summer with an insane amount of work to do to get the manuscript ready, but it was a problem I was glad to have. I can't talk too much about the book yet, but know that I put absolutely everything I have into making it something that I hope everyone will enjoy! It should be coming out next summer, so I'll let you know more closer to the publication date.

I've also been fortunate enough this past year to meet plenty of extremely talented people. Some of these include writers we've published in the Southern California Review, whom I met at a conference in Denver. Others are comic book creators whom I was very excited to meet at conventions in San Francisco and San Diego, via my friends at Archaia. The icing on the cake this past year, though, was the recent inclusion of two of my poems in the Summer 2010 edition of Disquieting Muses Quarterly, a prestigious online poetry review. Having to work constantly at my writing is sometimes exhausting, but the joy of getting an acceptance letter or email more than makes up for the hours of hard work put into each poem.

One of the most exciting things about this past year is that I'm still here writing book reviews. Thank you all so much for sticking around and reading the Daily Genoshan! By this time next year, my book will be published, and I hope to have even more projects in the works and news to discuss, but the DG will always be my first love. In the coming year I'd like to expand and use more guest reviewers, as well as introduce new features to the site, but at its heart it will always be a book review blog.

Thank you for your support, and, as always, keep reading, Genoshans!

Brian McGackin

Android Karenina (Leo Tolstoy and Ben H. Winters)

So in case you haven't noticed, lately I've had a slight bias towards reviewing books published by Quirk, a small press based in Philadelphia. This is partially due to the fact that I've loved everything I've read from them thus far (Pride & Prejudice & Zombies, Sense & Sensibility & Sea Monsters, Old Man Drinks), and partially because they are actually publishing my book next summer, so they sent me a bunch of free stuff.

That being said, this week's review and next week's review are the last of the current batch of freebies. After that it will be back to the random stuff, though I will obviously try my darndest to get more free books in the future.

Synopsis

Like its predecessors P&P&Z and S&S&SM, Android Karenina takes a classic piece of literature and transforms it into something... else. Ben H. Winters is at the helm again—he did Sea Monsters if you recall—and his task is to turn possibly the greatest novel in history into a robotic social commentary. Hmm. Science fiction and Russian literature are probably my least two favorite genres, so I wasn't sure what to expect here. Sci-fi I can handle sometimes (Dune, Ender's Game, those Martian Tales I reviewed a while back), but i HATE Russian literature. I've never once been able to finish a novel by a Russian author. Crime & Punishment, Doctor Zhivago, even Lolita. Luckily, there is an exception to every rule.

Android Karenina follows the story of Anna, a Russian socialite who falls madly in love with the charming Count Vronsky, a young soldier, much to the chagrin of her husband Alexei, an official in the Higher Branches. So where's the mash-up? Well, in this version of Tolstoy's great epic, each character is accompanied by a "companion," an android servant built especially for their particular needs. The androids, as well as many other technological advances anachronistic to the 19th century setting, are are constructed after discovery of a miracle element called groznium, an incredible power source. Groznium makes possible technology comparable to what we have today. The real heart of the story, however, does not come from the science fiction. Of course there are aliens, cyborgs, and gladiatorial mech battles, but this is truly a novel about society, revolution, and above all else, love.

This is the first time that one of these "Quirk Classics" has made me want to go and read the original novel. Ben H. Winters steps up his game to a remarkable degree. This is a much better book than Sense & Sensibilty & Sea Monsters, which I admit I may have rated a bit too highly looking back. Obviously, Austen's witty banter and quick conversational style is replaced by Tolstoy's microscopic detail and attention to slight mood changes. Those inherent differences are certainly noticed. What really makes Android Karenina stand out, though, is the level of integration of the injected sci-fi elements. The robots do not ever feel tacked on, or part of some gimmick. Unlike in S&S&SM, where the characters are trying to go about their lives despite the presence of sea monsters, the characters in this novel fully depend on their technologies, especially their robotic companions. The "robot question" becomes a pivotal discussion point among the principal characters as the book progresses. As is often the case, the government has a different idea than that of its citizens of what is safe and unsafe regarding technological use. But really, as in the original, this is a love story, one of the greatest ever told. That's what makes this book so exceptional, the fact that, despite all the robots and explosions and revolutionary ideals, it all comes down to whether or not two people are going to end up together. Nicely done.

Rating

Android Karenina
by Leo Tolstoy and Ben H. Winters

Story—8.8
Definitely a better story than Sense & Sensibility & Sea Monsters, but that's mostly Tolstoy's doing.

Style—9.2
Definitely better integrated than Sense & Sensibility & Sea Monsters, which is obviously Winters' doing.

General—9.5
These scores may seem inflated, but I genuinely enjoyed every moment that I was reading this book. It even gets a couple extra tenths of a point for being an accessible way to read a monumental classic that few people would ever have the patience to sit down and enjoy. Its 538 pages feel like a novella when compared to the original's 864. It also has one of those fun study guides in the back, like Pride & Prejudice & Zombies had. Love those things.

Overall—9.17



Keep reading, Genoshans!

Old Man Drinks (Robert Schnakenberg)

Are you a man? Not just a male, but a man? A really manly man's MAN? Yeah, me neither. I'm working on it, though. I have a feeling that this book is going to help me out quite a bit.

Synopsis

Old Man Drinks: Recipes, Advice, and Barstool Wisdom is a very manly book. From front to back, it is filled with nothing but alcoholic beverage recipes that old guys drink, things you've always wanted to try but had no idea what they were or when to order them. Drinks like the Algonquin, the Mint Julep, the Hot Toddy; sure, maybe you've had one once before, but did you even know what you were drinking? Old Man Drinks has the recipes, histories, and perfect occasions for each drink, all in a delightful, pocket-sized hardcover. That's not even the best part, though. The greatest thing about this book is that the author, Robert Schnakenberg, went around to different bars and interviewed actual old guys, and their pictures and comments are strewn throughout the book. Now, these aren't your usual pearls of wisdom dished out Benjamin Franklin-style by some lofty philosopher. These are curmudgeonly drunks with skewed and inappropriate views on life. Take for example Dennis, a 67-year-old musician:

There are times you drink 'til you fall on your face. Then there are times when you drink and someone else falls on your face. Here's hoping I have more of those times.

Or this gem, from 65-year-old Gary, a retired marketing manager:

Scotch goes well with anything, especially marriage.

Or my personal favorite, a lovely little anecdote from Richie, a retired limo driver:

My wife told me I should go out because it was nice out today. I said, "Why? I'm 84 years old. By now I know what a nice day looks like."

Quality.

Rating
Old Man Drinks: Recipes, Advice, and Barstool Wisdom
by Robert Schnakenberg

I never had a threesome, but it's bound to happen soon.

—Fred, 90, retired janitor

Honestly, there isn't much else to say about the book. If you're into drinking, recipes, or old guys, or know someone who is into drinking, recipes, or old guys, it's pretty much guaranteed to please. It's perfect for the elderly alcoholic looking to expand his palate, or the hipster college kid who wants to be cool by constantly asking bartenders for obscure cocktails, like the Mary Pickford (2 ounces light rum, 2 ounces pineapple juice, 1 teaspoon grenadine, 1 teaspoon Maraschino liquer, lime twist, shake well with ice). I will leave you with this final piece of advice, however, from Peter, a 77-year-old floor manager:

Here's to you and yours, and to mine and ours, and if you and yours ever comes across cross mine and ours, then may you and yours do the...wait, or is it the...ah, to hell with it. I could never remember any of that damn stuff anyway. Best to be original, right?